About me

I have been working with artists for the last 15 years usually commissioning them to do creative things in public spaces. I like to work in collaboration to develop the debate about art and the environment. A founding member of Riversmeet, a community initiative for Cockermouth (Cumbria) working on climate change issues. I am interested in the connections that can be made for creative approaches to local issues and using design and craft skills to provide solutions - this is a strand I am currently developing in one initiative called Upcycling.Read more about me »

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Busy times with Lakes Alive

August 3rd, 2010 by Cathy received No Comments »
close up lakes alive

Accessories on show

This Saturday (31st July) we had an installation of Upcycled items as a living room set on the main street of Main Street below the Mayo Statue. We were asked to take part by Manchester International Arts and Kendal International Arts as part of the Summer Lakes Alive programme. http://www.lakesalive.org/events/past-events/the-banquet-cockermouth/. The local paper says 2000 people were there and we certainly got lots of interest, people sewing bunting on a hand cranked machine, writing on a glass table top which will be etched to create a pattern, watching rag rug making, playing chess, knitting and general crafty chat. The six of us populated our lounge for 4 hours and had a fantastic time without a T.V. Now we can add street theatre to our C.V. performing next to the world’s strongest woman and trestle tables where people feasted in the rain, sunshine and the firework glow. A grand time was had by all.

Lakes Alive installation

Showing our stuff

Di & Rosie at Lakes Alive

Di and Rosie helping people make

Kate & sofa

Patchwork sofa

lighting up

Let there be light shades

Jude's chemistry experiment

Chemistry experiment

Tin Guitar

May 14th, 2010 by Cathy received No Comments »

This short scale guitar uses a tin from free for all, scrap maple for the neck and fretboard, other scrap oddments for the bracing and scrap aluminium plate for the string anchor/tailpiece. Tuned to ADGCEA which is like using a capo on the 5th fret of a full size guitar. Made by Colin Webb, Homemade Guitars for Upcycling.

Another artist joins the team

April 8th, 2010 by Cathy received No Comments »

Kate Jackson has joined in the Upcycle challenge. She is a textile artist and is keen to use men’s ties in her project. She went away today with a small lamp but is keen to work on a chair and I’m hoping one of the chairs at Free for All will fit the bill.

Kate takes a light

Artists adopt items

March 22nd, 2010 by Cathy received No Comments »

Jude with glass top table & light

Julian with stand

Ed with small dressing table

Rosie with coffee table & frame

Last week me and the artists (upcyclists as we are calling ourselves) met at Free For All, the scrap store in Wigton, to match the objects we have collected from Mitchells with people and potential. We also started to decorate a notice board with items from the scrap store so people can follow the process.  The upcyclists now have until easter to develop their ideas for the object and then work on it until June so we have some prototypes to display and get feed back on this summer. Feels like its starting to happen.

Di with standard lamp

Kevin with bedside table

Lots New

March 1st, 2010 by Cathy received No Comments »
Mitchells collection

Collection 1

This week we have added some more to our collection: 3 standard lamp shades, wicker topped stool (really is cane work) & tier wicker corner unit, adjustable metal standard lamp (as seen in photo), dressing chest with mirror & 70’s style 2 tiered coffee table (also on photo).

We have two more artists interested in joining in.

The Free For All (scrap store) meeting will be in Wigton on the 18th March afternoon to workshop what we have and the notice board about the project. Jude is hosting us and we can see what lovelies they have on offer including paint, trim etc.

Mitchell Lots

February 12th, 2010 by Cathy received No Comments »

I have started to collect objects to be Upcycled as demonstration pieces, problems to be solved  and material resource. The budget is £2 a lot unless it is a demonstration piece for an artist then I might pay a bit more. The aim is however to save the things other people don’t want not to bid against them. I am also recording what lots sell for as a guide. This week there were dozen of rugs and the week before concrete sculpture.

In the first auction I bid on 21 lots and got 1 a glass table for  £1.20 with 4 wooden chairs thrown in.

In the second auction I bid on 30 lots and got 6: 2 picture frames, 2 standard lamps, a sewing machine, drop leaf trolley and drop leaf table – all £2 each plus 20p auction commission.

Very exciting.

I’ll post some images of before and after as they get workshopped.

Paul Scott cumbrianblues

February 10th, 2010 by Cathy received No Comments »


Paul is an artist I have worked with on public  art commissions but in his studio/exhibition  work, he is a  habitual ‘upcycler’ – his  Cockle  Pickers Tea Service in the V&A being a good  example.

English Countryside

Printed blue and white ceramics have a long,  mostly forgotten history as a disseminator of  image and message. Whilst perceptions of the  genre have changed and faded over the years, it  still has a place in our common memory. As an  artist I exploit its conventions, and its retained  familiarity. I use a combination of altered ready-  mades juxtaposed with hand-built tin-glazed or  porcelain forms. I buy old,usually patterned,  plates on e-bay, in junk and antique shops, and  these live with me- often for months or years.  Some stay with me in my studio, whilst others  make it into the house where they are used for  serving food. When the time comes, I add to  them– a mark, a line, a gold edge, or I compose  - collaging with in-glaze decals. Then I re-fire  them to give them a new life.

The English Countryside series are composed of altered industrial plates – erased and collaged with in-glaze decals, juxtaposed with free-standing sculptural forms. Theseare various created from artwork using details of engraved tableware pattern or book illustration, or digitally manipulated photographs. The series depicts the real English Countryside of the twenty first century.

Paul Scott 2009

http://collections.vam.ac.uk/item/O251541/medium-plate/

Artist visit to Mitchells Auction

January 18th, 2010 by Cathy received No Comments »

Artists rummage through lots

On the 27th January 2010 I have arranged for a group of artists who are interested in Upcycling and using secondhand materials ( unsold at the auction in Cockermouth) to have a look around. The auctioneer mark Wise will be giving us a tour and discussing what they find hard to sell, why and what happens to it. The plan is for the artists to work together to create new products with a  higher value than the parts. A series of workshops is also planned to get local people interested in small DIY and craft based projects. That’s the idea so I will update on progress.

Upcycling

January 7th, 2010 by Cathy received No Comments »

Upcycling, a phrase coined by Cradle to Cradle authors William McDonough and Michael Braungart, is the act of creating useful products from waste materials.  Upcycling is the latest challenge to combat climate change.

I am exploring how to make second hand goods desirable and create new markets for contemporary craft by commissioning creative people to explore the future potential of second hand goods and waste materials making them more valuable than before.

I returned to Cumbria a few years ago and have been forming ideas around my local town Cockermouth, the auction house, the role of creativity and community action in relation to climate change.

I have been working as a commissioner and curator for the last 15 years in a variety of contexts and range of artforms so understand the issues around art in public places and the role of creativity in interdisciplinary teams. My professional work is across the North West but like many creative people you don’t get commissioned to work on your own doorstep. Through my voluntary work with Riversmeet Community Co-operative I have been implementing an Arts & Awareness programme locally which has made me rethink my approaches and what the role of creativity means in a local and global context. I want to raise awareness of the role contemporary craft, art and design can play in the climate change agenda. How a local context can inspire global solutions.  The kitchen table entrepreneur approach.

I recently received a Spark Plug Curators Award from the Crafts Council to develop my project idea.

Context

One of the long standing businesses in the town is Mitchell’s auction house that has held a weekly household items & quarterly antiques sale for over 130 years. The town also has several antique shops, a weekly car boot and several charity shops including Oxfam. Each week there are items that do not sell at the auction for the £1 minimum and therefore are destined for landfill.  The antiques shops are brimming with items that are not the current fashion and people don’t seem to like buying secondhand because it isn’t ‘clean’.

In the current financial and environmental crisis why do we want to spend our money on new products when many of items at the auction or charity shop just need a little bit of reworking to make them fit into our current lifestyle. This would be a cheaper and more environmentally sustainable approach that would benefit the consumer and the businesses. We could all have bespoke hand made items in our home without paying the inflated boutique prices. However without the skills, imagination and contacts of people who can help us realise these objects potential this becomes too complicated, time consuming and a potentially expensive occupation.

The Upcycling project aims to address these issues by helping people see what is possible by making second hand goods desirable by using creative people to explore their potential; make the connection with people who have the skills to remodel objects; and provide training for people who want to do it themselves.  I also want to explore the role of design and aesthetics in the sustainability agenda.

I hope by working with Mitchell’s and other local organisations to strengthen the local market for second hand goods through contemporary craft we can extend their life and reposition these products not just in the local market but in the regional and national market place. Cockermouth could strengthen the traditional businesses that have grown from the auction house support, develop the contemporary craft market in this rural area and attract new customers and expertise to the area. I also hope this project will play a small role as the town rebuild itself after the recent floods.